The Final Note

Cameron slumped down on the bench in front of the Club Midnight in Yokosuka. He gripped hold of the mouthpiece and neck of the saxophone and groaned. Damn! He was the featured soloist in the last number of the quartet’s first set. He had worked it all out in his head how he would play the tune. Duke Ellington’s Solitude. He gave it what he called a Billie Holiday interpretation. The reaction from the audience disappointed him. The few that applauded clapped as if responding to Pavlovian stimuli. Only one woman showed signs of sincere appreciation. The Club Midnight was nearly empty when the Quartet got ready to play their first set. Customers sat at tables scattered around the room exchanging conversations accentuated by laughter. At the bar, a man in a three-piece blue suit humped over a foamy draft beer. He was letting loose a stream of complaints about the unfairness of life. The bartender was listening with a wary expression. “People are still scared of the COVID,” t...